
| The Bureau of
Engraving and Printing's current lead picture engraver, Tom Hipschen. |
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The Bureau
of Engraving and Printing and is where U.S. money is made. The engraver's
medium is metal and his paintbrush is a hard metal engraving tool. Usually
working from a drawing, a painting or a photograph, engravers cut in dots,
dashes, and curved lines into the master die.
You may be asking, "Why can't this process be computerized?" An engraved
image is far more difficult to replicate than a computer-designed image.
The combination of coarse and fine engraved lines make reproduction next
to impossible.
A siderographer, transfers the completed, hardened engraving into
a soft transfer roll. When hardened, this roll will be used to duplicate
the original engraving over and over. All U.S. currency is produced using
the intaglio
method.
Plate Making The master die put under pressure, heated and an impression
of the die is taken. An alto and/or relief (a raised image of the die)
is cast in plastic. Multiple plastic images of the various components
are made, and fitted into the necessary plate configuration consisting
of thirty-two notes.Plastic altos are used to produce a series of plates,
which are then carefully inspected by an engraver. Then the final chromium
coated basso (recessed image) plate is made and another multiple subject
intaglio plate is ready to place on the printing press.
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Printing
The Bureau prints currency on high-speed, sheet-fed rotary presses, which
are capable of printing over 8,000 sheets per hour. The surface of the
note feels slightly raised, while the reverse side feels slightly indented.
Examining Each stack is examined for defects. If the sheet meets
standards, it is then ready for numbering and processing.
Overprinting A letterpress overprints with black ink the Federal
Reserve District seal and its corresponding number designation. It then
overprints the Treasury seal and serial numbers in green ink. Two cutters
slice the notes into two note units and finally into single stacks of
one-hundred notes. The units of 100 notes are banded and packaged into
"bricks" containing 40 units; each "brick" contains 4,000 notes.
Portraits and Designs on U.S. Currency The design of paper currency,
as well as the material used in its production, is determined by the Secretary
of the Treasury.
Currency paper is composed of 25% linen and 75% cotton. Red and blue synthetic
fibers of various lengths are distributed evenly throughout the paper.
Prior to World War I the fibers were made of silk.
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